John Seely Brown: "Tinkering as a Mode of Knowledge Production" (2008)

In his A New Culture of Learning:  Cultivating the Imagination for a World of Constant Change, researcher John Seely Brown (@jseelybrown) explores imagination, play, and innovation as they can influence current education paradigms.  In a brief video talk, he breaks down some of his theories:

What could we do better in schools today? ... We have to kind of find a way to get today's kids to embrace change.  We have to get them to want to constantly learn new types of things.  And the catch, to me, is somehow we have to find a way to get kids to play with knowledge.  To play with finding information.  To play with creating knowledge.  Not always believing that it's already known, but basically being willing to believe that maybe they should be able to create knowledge on the fly by experimenting with things.

And...

So I think we can construct new kinds of learning environments.  Not only are we learning with and from each other, not only are we teaching each other as well, but we're actually understanding that authority - to some extent - lies in whether or not this thing I've just built is as good as I think it could be ....

What suggestions do you have for students and teachers who wish to implement more "tinkering" and "playful" scenarios in the classroom and in life? Please post in the comments below.  For Maria Popova's (@brainpicker) article on A New Culture of Learning available on Brain Pickings (@brainpickings), please click here.

Description of image:  A child "tinkering" away.  Photo located at graphics8.nytimes.com.  Kildonan and its IP program claim no ownership over the above picture.

Bill Evans: Conceptualizing Learning

Though he writes solely on his experience learning jazz, pianist and composer Bill Evans certainly has a message to impart to IPians with his words below: (The man pictured is Bill Evans.  This image was located on tumblr.com.  Kildonan and its IP program do not claim any ownership to this photo.):

The whole process of learning the facility of being able to play jazz is to take these problems from the outer level in, one by one, and to stay with it at a very intense, conscious-concentration level until that process becomes secondary and subconscious. Now, when that becomes subconscious, then you can begin concentrating on that next problem, which will allow you to do a little bit more.

I don’t consider myself as talented as many people but in some ways that was an advantage because I didn’t have a great facility immediately so I had to be more analytical and in a way — that forced me to build something.

Most people just don’t realize the immensity of the problem and, either because they can’t conquer it immediately, think that they haven’t got the ability, or they’re so impatient to conquer it that they never do see it through. If you do understand the problem then you can enjoy your whole trip through.

People tend to approximate the product rather than attacking it in a realistic, true way at any elementary level — regardless of how elementary — but it must be entirely true and entirely real and entirely accurate. They would rather approximate the entire problem than to take a small part of it and be real and true about it. To approximate the whole thing in a vague way gives you a feeling that you’ve more or less touched the thing, but in this way you just lead yourself toward confusion and ultimately you’re going to get so confused that you’ll never find your way out.

It is true of any subject that the person that succeeds in anything has the realistic viewpoint at the beginning and [knows] that the problem is large and that he has to take it a step at a time and that he has to enjoy the step-by-step learning procedure. They’re trying to do a thing in a way that is so general [that] they can’t possibly build on that. If they build on that, they’re building on top of confusion and vagueness and they can’t possibly progress. If you try to approximate something that is very advanced and don’t know what you’re doing, you can’t advance.

Taken from Maria Popova's "Jazz Legend Bill Evans on the Creative Process, Self-Teaching, and Balancing Clarity with Spontaneity in Problem-Solving."  http:/​/​www.brainpickings.org/​2014/​10/​30/​the-universal-mind-of-bill-evans/​

For the full documentary, Universal Mind of Bill Evans, please watch below: