Lynn Woods of the Hudson Valley Almanac Weekly interviewed San Millan in January, 2013 and had this to say of MAN:
Based loosely on a small clay sculpture, MAN reflects San Millan’s classical training with the figure as much as his feeling for nature. Unlike most colossi, which tend to be monumental, MAN is sprightly, inherently active. Knit out of driftwood sticks that resemble lines, loose strokes that describe forceful movements through space, he is energy anthropomorphized. The body is carefully articulated, the tension of the muscles palpable. Balanced on the toes of his flexed right foot and his left forefinger, he seems to spring from the earth, even as his left foot is planted firmly on the ground. The left arm thrusts downward, muscles tensed and the hand spread, with forceful, pointing fingers, expressive as a Broadway dancer’s. The aquiline nose and full lips, formed from carved pieces of driftwood, resemble the features of an ancient Greek warrior, jutting from an armature of sticks that suggests an Attic helmet.From seemingly mundane objects "springs" life. What will Piterson create with his own sticks? How will he choose to render the human body?
For Andres San Millan's figureartscape, please click on the following link: http://www.figureartscape.com. For Lynn Wood's article concerning MAN, please follow this next URL: http://www.hudsonvalleyalmanacweekly.com/2013/01/04/andressan-millans-man-on-the-move/.
(MAN, pictured above, with San Millan leading the procession at bottom right. This photo was located at San Millan's figureartscape. Kildonan and its IP program claim no ownership over the above image.)
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