~ The IP Faculty
America is suffering from a crisis of race. The deaths of black men such as Eric Garner, Michael Brown, Akai Gurley, and Tamir Rice
have inflamed this instability, of course. Some argue that these men
died for reasons other than their race, that they possessed criminal
records, for instance, that necessitated forceful reactons by white
police officers. But even if these deaths did not arise from racial
considerations, the fact that they have come to encapsulate U.S. race
relations is indisputable. They highlight triumphs and traumas of black
inclusion in the U.S. that began, arguably, with the racialization of
Native Americans during the 17th century. They echo the voices of
American authors - contemporary and traditional, black and white - who
have long confronted and continue to highlight the topic with varying
degrees of agonized cries and silence.
These riots, unavoidably, are "an issue"...but they are saddening particularly because they have BEEN an issue for centuries.
One of our IPians, Jonathan, happened to attend a protest in NYC last weekend. Exploring #photojournalism
as his topic in IP, this situation gave Jonathan the organic
opportunity to continue his research. All photos attacked to this post
are his shots of the scenes and participants he witnessed.
In his A New Culture of Learning: Cultivating the Imagination for a World of Constant Change, researcher John Seely Brown (@jseelybrown)
explores imagination, play, and innovation as they can influence
current education paradigms. In a brief video talk, he breaks down some
of his theories:What could we do better in schools today? ... We have to kind of find a way to get today's kids to embrace change. We have to get them to want to constantly learn new types of things. And the catch, to me, is somehow we have to find a way to get kids to play with knowledge. To play with finding information. To play with creating knowledge. Not always believing that it's already known, but basically being willing to believe that maybe they should be able to create knowledge on the fly by experimenting with things.And...
So I think we can construct new kinds of learning environments. Not only are we learning with and from each other, not only are we teaching each other as well, but we're actually understanding that authority - to some extent - lies in whether or not this thing I've just built is as good as I think it could be ....What suggestions do you have for students and teachers who wish to implement more "tinkering" and "playful" scenarios in the classroom and in life? Please post in the comments below. For Maria Popova's (@brainpicker) article on A New Culture of Learning available on Brain Pickings (@brainpickings), please click here.
CEO and one of the founders of Epic Group PLC, Donald Clark (@DonaldClarke63) is committed to the idea that #technology does - and must - play a role in education (passages taken from Clark's bio).
Having spent "30 years experience in online learning, games,
simulations, social media and mobile learning projects," Clark had this
to say about technology in education during a 2012 @TEDxGlasgow event:The real scalability in education comes with the Internet because it gives us a world of digital replication for free. A world of digital abundance where some aspects of learning content are available for anyone, anywhere, at any time. It absolutely frees us from the tyranny of time and location. ... And that's the trick: freeing education from a place, from a specific time.What do you think? How can we use social media outlets such as Facebook, Twitter, and YouTube educationally? Please post in the comments below.
Now if - as is clearly the case - the Internet and #socialmedia can lead young people to change the tyrannical and corrupt governments, can we really say that social media will have no role in education? How do you think those kids in Tahrir Square (@3alTahrir) learned to avoid tear gas by using Pepsi Cola (@pepsi)? How do you think those revolutions arose first through blogging, then through Facebook, then through Twitter, then through YouTube, and the ubiquity of mobile devices? We'd be fools to ignore the pedagogic lessons that are right in front of our eyes, politically and in terms of education.
Speaker, author of Double, Double: How to Double Your Revenue and Profit in 3 Years or Less, and an influential source in increasing the revenue of 1-800-GOT-JUNK? from $2 million to $106 million in just six years, Cameron Herold (@CameronHerold) is - first and foremost - an #entrepreneur. Four years ago, he delivered a TED Talk (@TEDTalks) at TEDxEdmonton (@TEDxEdmonton) during
which he called upon parents and teachers to alter their rearing and
educational practices in one fundamental way: by instilling
entrepreneurial skills in ALL children. Herold, after all, "has been a
entrepreneurial innovator since launching his first company at the age
of 21" (passage taken from Herold's bio);
he began acquiring business strategies at a very young age, so he
understands the importance of nurture AND nature in developing an
entrepreneurial mindset.I just came back from speaking in Barcelona at the YPO global conference, and everyone that I met over there who's an entrepreneur struggled with school. I have 18 out of the 19 signs of attention deficit disorder diagnosed. ... Attention deficit disorder, bipolar disorder. Do you know that bipolar disorder is nicknamed the CEO disease? Ted Turner (@TedTurnerIII)'s got it. Steve Jobs has it. All three of the founders of Netscape had it. I could go on and on. Kids -- you can see these signs in kids. And what we're doing is we're giving them Ritalin and saying, 'Don't be an entrepreneurial type. Fit into this other system and try to become a student.' Sorry, entrepreneurs aren't students. We fast-track. We figure out the game.Are our dyslexic students/children predisposed to greater entrepreneurial prowess? Do you have a strategy, lesson plan, etc. to help our kids practice innovation in life and in the classroom? Please write in the comments section below.
Not far from where I live is a place called Death Valley. Death Valley is the hottest, driest place in America, and nothing grows there. Nothing grows there because it doesn't rain. Hence, Death Valley. In the winter of 2004, it rained in Death Valley. Seven inches of rain fell over a very short period. And in the spring of 2005, there was a phenomenon. The whole floor of Death Valley was carpeted in flowers for a while. What it proved is this: that Death Valley isn't dead. It's dormant. Right beneath the surface are these seeds of possibility waiting for the right conditions to come about, and with organic systems, if the conditions are right, life is inevitable. It happens all the time. You take an area, a school, a district, you change the conditions, give people a different sense of possibility, a different set of expectations, a broader range of opportunities, you cherish and value the relationships between teachers and learners, you offer people the discretion to be creative and to innovate in what they do, and schools that were once bereft spring to life.
Walking down a flight of stairs = No Violation = Not Funny. Falling down a flight of stairs, but being unhurt = Benign Violation = Funny. Falling down that flight of stairs and being badly hurt = Malign Violation = Not Funny.
I think the main way the myth of schooling continues is through a small piece of paper called the diploma. The diploma has two lives, really. On one hand, a diploma is that thing that we all know and love. It's a sign that I graduated from high school, or college, or university. On the other hand, with every diploma that's printed, the diploma says, 'Knowledge is scarce, and it's supposed to be obtained only at this or that school.'
In addition to producing content for his
graphic novel and collaborating with Shane, Khaled has been
exploring the theory behind fantasy, mythology and fairy tales. This
search has led him, inevitably, to English writer, poet, philologist, and university professor J. R. R. Tolkien. K. did not jump into a re-reading of The Lord of the Rings, however. Instead, he began researching an article by Maria Popova (@brainpicker) and a lesser-known work called Tales from the Perilous Realm, a collection of short pieces, fairy tales, and an essay called "On Fairy-Stories." Among those who still have enough wisdom not to think fairy-stories pernicious, the common opinion seems to be that there is a natural connexion between the minds of children and fairy-stories, of the same order as the connexion between children’s bodies and milk. I think this is an error; at best an error of false sentiment, and one that is therefore most often made by those who, for whatever private reason (such as childlessness), tend to think of children as a special kind of creature, almost a different race, rather than as normal, if immature, members of a particular family, and of the human family at large. (347)Though he finds this sentiment stimulating, K. disagrees. He presents his position by arguing that a certain dream logic is bastardized in children's literature. According to him, other branches of literature honor this logic while that directed toward children distort it, introduce it haphazardly, and never explain its functioning.
Paige is becoming increasingly sensitive to the controversies
swirling in the field of dyslexic studies and education. Just recently,
for example, she has begun to study the use of colored overlays by
dyslexic students while reading. As Rello and Baeza-Yates (2012) relate:The role of colors in readability has been extensively discussed in relationship to dyslexia [#dyslexia] .... Previous user studies showed that specific text and background colors could be beneficial for reading on the screen (Gregor and Newell 2000; Rello, Baeza-Yates and Kanvinde, 2012). Moreover, text customization suggestions broadly agree that people with dyslexia normally prefer lower brightness and color differences among text and background compared to the average reader (Bradford, 2011; Pedley 2006; British Dyslexia Association, 2012). (par. 2-3)Please click here to access another study. To take a test comparable to working with colored overlays, please click here. What color worked best for you? Do you think that these make a difference for reading comprehension and reading fluency? Please post in the comments below.

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| Polyommatus blue, pictured above. Image located at nytimes.com. Kildonan and its IP program claim no ownership over the photo above. |
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| Vladimir Nabokov, pictured above. Image located at nytimes.com. Kildonan and its IP program claim no ownership over the photo above. |

We have to start thinking differently about what school is. There's a great quote that I read by a guy by the name of Justin Reich (the Richard L. Menschel HarvardX Research Fellow, based in the Office of the President and Provost at Harvard University: @bjfr) who's a teacher at Harvard. And he said, 'You know, the problem right now is that we're paying so much attention to the measurable part of learning that we risk neglecting the immeasurable part of learning." And it's that immeasurable part that - right now, in a world where we have access to so much stuff - it's that immeasurable stuff, that hard-to-measure stuff that's much more important. It's that creativity, that gritty problem-solving, that persevering disposition that we have toward learning. All that stuff that's really hard to measure? That's the stuff that our children need right now.For a post discussing Richardson at TEDxNYED (2011), please click here.
So what's happening here? I think what we need to look at is ... learning as the product of educational self-organization. If you allow the educational process to self-organize, then learning emerges. It's not about making learning happen. It's about letting it happen. The teacher sets the process in motion and then she stands back in awe and watches as learning happens. I think that's what all this is pointing at.
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| "The Hero's Journey," pictured above. Photo located at lincoln.debbieyoon.com. Kildonan and its IP program claim no ownership of this graphic. |
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| "The Hero's Journey," pictured above. Image located at en.wikipedia.org. Kildonan and its IP program do not claim any ownership of the graphic above. |

But such a vision, Brad wisely reasons, is bound to the future and,
perhaps, does not utilize all of his talents. To this end, he has
decided to combine his interests in economics and art to begin an
advocacy business for the striped bass. His plan is represented by the
graphic above. Currently, he is producing paintings and drawings of the
fish in the hopes of selling these and using the money both as
donations and in order to finance his burgeoning ventures. He is also
constructing a public awareness flyer that he will send to tackle shops
and conservation agencies. From there, he will begin to prototype logos
for various merchandise (e.g., stickers, T-shirts) and promote his work
through a website and Kickstarter profile.But, you see, there are things we're enthralled to in education. Let me give you a couple of examples. One of them is the idea of linearity: that it starts here and you go through a track and if you do everything right, you will end up set for the rest of your life. Everybody who's spoken at TED has told us implicitly, or sometimes explicitly, a different story: that life is not linear; it's organic. We create our lives symbiotically as we explore our talents in relation to the circumstances they help to create for us. But, you know, we have become obsessed with this linear narrative. And probably the pinnacle for education is getting you to college. I think we are obsessed with getting people to college. Certain sorts of college. I don't mean you shouldn't go to college, but not everybody needs to go and not everybody needs to go now. Maybe they go later, not right away....There's been a lot of talk about dreams over the course of this few days. And I wanted to just very quickly ... I was very struck by Natalie Merchant's songs last night, recovering old poems. I wanted to read you a quick, very short poem from W. B. Yeats, who some of you may know. He wrote this to his love, Maud Gonne, and he was bewailing the fact that he couldn't really give her what he thought she wanted from him. And he says, 'I've got something else, but it may not be for you.' He says this: 'Had I the heavens' embroidered cloths, Enwrought with gold and silver light, The blue and the dim and the dark cloths Of night and light and the half-light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.' And every day, everywhere, our children spread their dreams beneath our feet. And we should tread softly.


Based loosely on a small clay sculpture, MAN reflects San Millan’s classical training with the figure as much as his feeling for nature. Unlike most colossi, which tend to be monumental, MAN is sprightly, inherently active. Knit out of driftwood sticks that resemble lines, loose strokes that describe forceful movements through space, he is energy anthropomorphized. The body is carefully articulated, the tension of the muscles palpable. Balanced on the toes of his flexed right foot and his left forefinger, he seems to spring from the earth, even as his left foot is planted firmly on the ground. The left arm thrusts downward, muscles tensed and the hand spread, with forceful, pointing fingers, expressive as a Broadway dancer’s. The aquiline nose and full lips, formed from carved pieces of driftwood, resemble the features of an ancient Greek warrior, jutting from an armature of sticks that suggests an Attic helmet.From seemingly mundane objects "springs" life. What will Piterson create with his own sticks? How will he choose to render the human body?
Now our education system is predicated on the idea of academic ability. And there's a reason. The whole system was invented -- around the world, there were no public systems of education, really, before the 19th century. They all came into being to meet the needs of industrialism. So the hierarchy is rooted on two ideas. Number one, that the most useful subjects for work are at the top. So you were probably steered benignly away from things at school when you were a kid, things you liked, on the grounds that you would never get a job doing that. Is that right? Don't do music, you're not going to be a musician; don't do art, you won't be an artist. Benign advice -- now, profoundly mistaken. The whole world is engulfed in a revolution. And the second is academic ability, which has really come to dominate our view of intelligence, because the universities designed the system in their image. If you think of it, the whole system of public education around the world is a protracted process of university entrance. And the consequence is that many highly talented, brilliant, creative people think they're not, because the thing they were good at at school wasn't valued, or was actually stigmatized. And I think we can't afford to go on that way.In the next 30 years, according to UNESCO, more people worldwide will be graduating through education than since the beginning of history. More people, and it's the combination of all the things we've talked about -- technology and its transformation effect on work, and demography and the huge explosion in population. Suddenly, degrees aren't worth anything. Isn't that true? When I was a student, if you had a degree, you had a job. If you didn't have a job it's because you didn't want one. And I didn't want one, frankly. (Laughter) But now kids with degrees are often heading home to carry on playing video games, because you need an MA where the previous job required a BA, and now you need a PhD for the other. It's a process of academic inflation. And it indicates the whole structure of education is shifting beneath our feet. We need to radically rethink our view of intelligence.